Last article I introduced the game Saga: Viking Age to readers. What I left out of my ridiculous and meandering prose was discussion of how to get your grubby hands on one of the most important aspects of any miniatures game, the figures. See, historical games are a little different than the current incarnations of Warhammer, Malifaux, WarhmaHordes etc… in that there are often times a plethora of miniature companies that make compatible figures, and there is no IP infringement or cease and desist letters on history. It isn’t always as easy as just purchasing the exact thing they show in the book, but with this added effort comes incredible choice on how you want to spend your hard earned stacks of cash.
If you’ve been primarily coddled by the sweet retail presence of Games Workshop or Privateer press, you might find sourcing figures for Saga a different (and sometimes challenging) experience. The purpose of this article therefore is to quickly discuss a whole host of manufacturers, what Saga relevant figures they’ll have and some thoughts on their quality. Its a primer, a showcase of this particular period and some of the best (and worst) the internet will throw up on you. This is not meant to be a totally exhaustive list, but as close as I could come to with the knowledge I have. About 95% of these manufacturers I own miniatures from, sometimes from the ranges I’m picturing, so while this is my highly subjective opinion, it at least has some false grounding in experience. Finally, I’ll throw in some good pop culture inspiration to get your mind working and ready to jump on board the fad train as it once again leaves the station. First however, I’d like to discuss a couple realities for those new to the historical miniatures scene.
The first time they raised her she said, ‘Behold, I see my father and mother.’
The second time she said, ‘I see all my dead relatives seated.’
The third time she said, ‘I see my master seated in Paradise and Paradise is beautiful and green; with him are men and boy servants. He calls me. Take me to him.’
That’s right folks, we’re going to do an introductory article for a 5 year old historical miniature game. Here at Corehammer, we like to be only the most current and cutting edge with our content. Stay tuned for our Warhammer “The End Times” thoughts and possibly some rumors on a shadowy new edition of the game with talk of controversial round bases. Maybe a quick review of the first Avengers movie and bitching about Tom Hardy’s Bane while I’m at it. Also, did you know women can vote now? Topical. So why am I actually spending time introducing Saga? It started with a simple WhatsApp message from the frozen Nordic lands, “Did I hear you played Saga?” I gave some quick thoughts, praise and warnings back and went on about my day. But something about that little conversation stuck with me. I started thinking about the game again, how more people should be playing it, how it is such an interesting introduction to the historical miniature hobby, and how dammit, I want to be playing again. Some weeks pass and the fad light has been switched on (not by me) and my friends group were all looking to dive in for some sweet, sweet, Saga gaming. I quickly realized there is still a lot of information out there that is either missing, or hard to find, and is relevant for someone looking to get into the game. This means that even though the game was released a little while back, and was reasonably popular for a niche wargame, there is enough of a gap out there that makes it worth my frankly pretty worthless time to write up an intro. This first article will focus on the original Viking Age flavor of the game, a part 2 with shopping and figure recommendations and a follow up to cover those Mediterranean romps in the sun from Crescent and Cross. This ultimately will be my utterly cack-handed attempt at opening the vault and sharing my nonsense ramblings on what really is a superb little game.
I think at one time or another almost every Straight Edge dude in the South East has done a tour of duty in Breaking Point. Such is the mercurial nature of the straight edge hardcore band, members come and go, edges crumble whilst others remain resolute. Over the course of the last five years Breaking Point have steadily churned out workmanlike metallic hardcore. And though I cannot say I have ever been blown away by any of their previous recordings, as a live band they are A+. Always entertaining, energetic and inclusive enough to serve well as an accessible gateway band for young moshers and edgemen alike stumbling down into the underbelly of UKHC . And really that’s the point is it not? Continue reading →
‘all structures collapse, mysteries unfold
borne from the skies in these times of grace’
Whilst John Blanche is quite rightly regarded as the undisputed master of grimdark within the Warhammer realm, there are myriad other artists working beyond that it’s narrow borders whose visual aesthetic could certainly be considered ‘grimdark’ and thus partially responsible for the ritual scarification of my adolescent mind. As an act of penance on my part if you will, to provide a cultural counterweight to my forthcoming Rob Liefeld confessional, I want to cleanse my soul by turning my attention to a master of the form. A man, much like John Blanche, whose sense of grim splatterpunk violence and gallows humour was crucial in shaping my own tastes and approach to artistic endeavour. Guys, can we just take a minute and talk about Simon Fucking Bisley? Continue reading →
I’ll be the first to admit we’ve been really slack on the music coverage this year and frankly there’s not been much that’s really inspired me enough to commit opinion to page. That all changed however when Blistered’s new Soul Erosion EP on 6131 records unexpectedly landed in my inbox and proceded to kick my back doors in. Continue reading →